Lygia Sans
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Lygia Sans:i9
Lygia Sans:n9
Lygia Sans:i4
Lygia Sans:n4
Lygia Sans Black
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Contra Relevo (Objeto N. 7)
Lygia Sans Regular Italic
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Clark’s work dealt with the relationship between inside and outside and between self and world.
Lygia Sans Regular
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Brazilian poet and writer Ferreira Gular wrote the Neo-Concrete Manifesto in 1959 and described a work of art as “something which amounts to more than the sum of its constituent elements; something which analysis may break down into various elements but which can only be understood phenomenologically.”
Lygia Sans Black
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Superfícies Moduladas, 1952-57.
Lygia Sans Black Italic
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Between 1956–57, mainly in the series Modulated surfaces, a complex system of juxtaposed planes are separated by very tight gaps—the only “lines” in the compositions. Describing her main objective during this period, Clark said, “What I seek is to compose a space and not compose in it.”
Lygia Sans Regular
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Modern man must walk away from this excess of racionalism that lives in the heart of our thoughts.
Inspired by Rio de Janeiro's landscape, architecture, and the full bloom of the Neo-Concrete movement clustered in the 1950s, Lygia Sans was designed to match in color with its serif companion but embracing a new personality that nod towards a more calligraphic and elegant approach, as seem in Warren Chappell’s Lydian (released in 1938).
- Released: August 2021
- Styles: 4
- Release Status: In Progress
- Lygia Sans PDF Specimen