Lygia Sans
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Lygia Sans:n9
Lygia Sans:n4
Lygia Sans Black
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Contra Relevo (Objeto N. 7)
Lygia Sans Regular
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Clark’s work dealt with the relationship between inside and outside and between self and world.
Lygia Sans Regular
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Brazilian poet and writer Ferreira Gular wrote the Neo-Concrete Manifesto in 1959 and described a work of art as “something which amounts to more than the sum of its constituent elements; something which analysis may break down into various elements but which can only be understood phenomenologically.”
Lygia Sans Black
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Lygia Clark: Art you should touch.
Lygia Sans Black
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Between 1956–57, mainly in the series Modulated surfaces, a complex system of juxtaposed planes are separated by very tight gaps—the only “lines” in the compositions. Describing her main objective during this period, Clark said, “What I seek is to compose a space and not compose in it.”
Inspired by Rio de Janeiro's landscape, architecture, and the full bloom of the Neo-Concrete movement clustered in the 1950s, Lygia Sans was designed to match in color with its serif companion but embracing a new personality that nod towards a more calligraphic and elegant approach, as seem in Warren Chappell’s Lydian (released in 1938).
- Released: August 2021
- Styles: 2 Weights
- Release Status: In Progress
- Lygia Sans PDF Specimen